The Icon of the Mother of God known as the
Koukozelissa, or Koukouzel Icon takes its name from John Koukouzel, who was born
in the 12th century in Dirrachia (
Feelings of sadness and dissatisfaction intensified
within him even more after he learned that the emperor was planning to have him
marry. John decided to flee the capital and hide in some remote desert. At
the time, the abbot of the St. Athanasios Lavra on
He was admitted to the Monastery, tonsured, and given
the obedience of tending the monastery flock in the pastures far up the
mountain. Thus, John’s new responsibility made it possible for him to
delve without impediment into prayer and contemplation of God.
Meanwhile, the emperor, saddened by his favorite’s
flight, dispatched a delegation to look for him. However, under God’s
protection John remained unrecognized. It so happened that while sitting
deep in thought near his flock, and thinking that there was no one else in the
desert, that no one could hear him, the shepherd/chanter began to sing familiar
divine hymns, and his angelic voice poured forth and echoed far across the
heights of Mt. Athos. For a long time John, emotionally caught up [in the
hymns] sweetly sang, was unaware that near him was a certain desert-dweller
hiding in a wild cleft in the hill. The melodist’s marvelous chanting had a
profound effect on the strict anchorite’s heart, moving him to tears, warming
his soul and having a beneficial effect upon it. All the while John was singing,
the desert-dweller never took his eyes off him; he could not imagine how such an
angelic voice, such an amazing singer, could happen to be in the wilderness. He
set off for the Lavra and told the abbot about the marvelous shepherd with the
touching voice. Summoned out of the hidden wilderness and made to swear before
God [to tell the truth], he revealed to the abbot that he was the John, the
court melodist.
Heeding John’s humble and tearful plea, the rector
allowed him to return to his obedience as a shepherd, but also felt constrained
to go to
The emperor listened attentively to the abbot’s
detailed account regarding John. He wept, and with considerable emotion,
said, “I regret losing my only chanter! I regret losing my John! Yet, if
he has already been tonsured, there is nothing to be done. Salvation of
the soul is what is most precious. Let him pray for my salvation and for
my kingdom.” On receiving such pleasant news, John built himself a
kellion with a church dedicated to the Holy Archangels. He would remain
there in isolation six days each week, and on Sundays and Feast Days would come
to the Cathedral, where he would stand on the right kliros and touchingly join
the others in song.
Once, after singing the Akathist on the Saturday of
the Akathist, and after the Vigil, he was resting on the forma, the monastic
seat, across from the Icon of the Mother of God before which the Akathist had
been chanted, when he fell exhausted into a light and restful sleep.
Suddenly a meek voice said to him, “Rejoice,
John!” John looked, and saw standing before him the Mother of God,
radiant with divine light. “Sing, and don’t stop…” she continued,
“…that is why I have always been with you.” After saying that, the Mother
of God put a chervonets [a gold piece] in John’s hand, and disappeared.
Seized with inexpressible joy, John awoke and found
himself holding a chervonets in his right hand. With tears of thanksgiving he
blessed the mercy shown him by the Queen of Heaven. The chervonets was
suspended from the icon of the Mother of God before which John had sung and
before which he had been made worthy of a heavenly vision.
That icon, and the gold piece itself, became sources
of amazing miracles.
The Koukouzelissa (also known as the Economissa) is in
the Lavra of St. Athanasios on Mount Athos and is the principal icon in the Chapel of the
Most-holy Theotokos’ Entry into the